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The baby-faced “Parasite” star Choi Woo-shik puts his guileless vibe to good use again in “The Policeman’s Lineage,” a twisty crime drama about the moral compromises some cops accept in their pursuit of the bad guys. Available in select theaters and on VOD ‘The Policeman’s Lineage’ ‘The Walk.’ R, for language throughout including racial slurs, and some violence. The dialogue is blunt, and the plot overly centers white heroism but the period detail is well-observed, and the filmmakers show a real understanding of the ingrained attitudes and anxieties that make moments of social progress so difficult. “The Walk” also follows a Black teenager, Wendy Robinson (Lovie Simone), whose father (Terrence Howard) is afraid to put her on the bus and it gets into how Coughlin’s roots in South Boston’s Irish-American gangs makes him fearful for the future of his own daughter, who is as casually racist as her friends and neighbors. The story is mostly focused on a white cop, Bill Coughlin (Justin Chitin), assigned to escort the Black students to class. Directed by Daniel Adams and co-written by Adams and George Powell, the film is based on the men’s memories of Boston circa 1974, when the courts ordered the public school system to integrate by busing kids from Black neighborhoods to white schools and vice-versa. Though the execution is clunky, the subject matter and scope of the historical drama “The Walk” is mostly compelling enough to compensate. But this movie’s a must for anyone who enjoys seeing terrific actors given the space to explore their characters’ pain - and to spin riveting moments out of rich words and subtle moods.
Must sins always be punished? Can two wrongs make a right? Is unimaginable tragedy God’s warped way of exacting justice? Viewers with no interest in theology may find these concerns a little esoteric, and may wish O’Brien had spent more time on the mystery of who Aaron is and why he seems to have supernatural powers. These characters tackle the big subjects.
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O’Brien tells Frederic’s story - covering both his dark past and grim present - through a series of provocative conversations that have the intensity and conviction of great theater. Aaron initially seems to be a drifter, but as he talks with Frederic he seems to know a lot about his host: that he used to be a priest, that he violated his vows decades ago and that he’s been praying to God for deliverance. O’Brien plays Aaron, a mysterious stranger who shows up one night outside the backwoods home of Frederic (Henry Czerny) and Ethel (Mimi Kuzyk), an older couple grieving the accidental death of their adopted daughter. Available on HBO Max ‘The Righteous’Īctor Mark O’Brien wrote, directed and plays a pivotal role in his feature filmmaking debut “The Righteous,” a slow-burning, black-and-white psychodrama that has echoes of Ingmar Bergman and gothic ghost stories. ‘The Janes.’ TV-MA, for violence, adult content and adult language. JANE’s supportive atmosphere opened eyes, showing a possibility of a world where everyone, regardless of social status, could be seen and heard. But what really resonates are the memories of women helping women by talking openly about the specific economic and health concerns that the male-dominated establishment typically ignored. “The Janes” is filled with alternately harrowing and darkly amusing anecdotes, covering everything from the index cards that recorded the patients’ pertinent details to the legend of the adept amateur abortionist who passed himself off as a licensed pro. The timely documentary “The Janes” - co-directed by Tia Lessin and Emma Pildes - tells the story of this group, which advertised in counterculture periodicals and on bulletin boards in hippie hangouts, advising women in trouble to “call JANE.” The surviving, now-aged members of Jane give the filmmakers a rundown of how they got together, how their law-skirting process worked and why what they did matters. The organization disbanded when their services were no longer needed, but the connections they formed helped lay the groundwork for the ‘70s feminist movement. Starting in the late 1960s, an underground network based out of Chicago tried to connect women with actual doctors, while charging whatever the patients could afford. Wade decision cleared the way for legal abortion across the United States, many American women had to resort to paying exorbitant amounts of money to mobbed-up criminals for quasi-medical procedures that could be life-threatening.